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Every Love Story Is a Ghost Story: A Life of David Foster Wallace, by D. T. Max
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Review
Praise for Every Love Story Is A Ghost Story: “In his revealing new biography, D.T. Max gives us a sympathetic portrayal of Wallace’s life and work, tracing the connections between the two, while mapping the wellsprings of his philosophical vision…what Mr. Max’s book does do -- and does powerfully – is provide an emotionally detailed portrait of the artist as a young man.” —Michiko Kakutani, The New York Times “All readers, even those who know nothing of Wallace, will be moved by the portrayal of one man’s honest struggle with mental illness…the book’s] poignancy is in its emphasis on Wallace’s years of hard-earned survival and his efforts, though unrealized, toward artistic transformation.” —Sam Sacks, The Wall Street Journal “A well-crafted, insightful chronicle of this singular writer’s life and literary work…Max’s biography succeeds on multiple levels: through his astute interpretations of Wallace’s literary output and liberal quotes from the writer himself, this book very much embodies the spirit and life of Wallace…for this reader, the biography provides a measure of solace – that is this great writer can’t be among us, at least he can be remembered in all of his genius and complexity.” —S. Kirk Walsh, The San Francisco Chronicle “I’m having trouble remembering when I was last so consumed by any piece of writing, fiction or non…Max’s focus is, not surprisingly, more or less resolutely on Wallace’s life as it related to his art. This decision to strip the story down to its narrative essentials pays off in terms of compulsive readability…In providing a more complete sense of Wallace than we ever had while he lived, it makes his death feel more real, somehow more irrefutable. And, for anyone who felt a profound emotional connection to Wallace and his work, there’s a strenuously cathartic dimension to this: the experience of knowing him more fully, and of thereby feeling more completely the force and finality of his absence.” —Mark O’Connell, Slate.com “You find it painful, frightening, and, yes, gripping, to read about someone in chronic and severe emotional distress. In writing a chronologically narrated, thoroughly researched, objective-as-imaginable biography, Max has created a page turner.” —Rivka Galchen, The New York Times Book Review “Max’s long-awaited bio, Every Love Story is a Ghost Story, helps us understand the man behind the words, and the mind behind the suicide…[Max] makes Wallace begin to cohere and become more approachable, more real…necessary reading if you care about DFW or the cultural moment that shaped him and then felt his impact.” —Evan Hughes, GQ.com “Documenting the life of a writer as revered and tormented as the late David Foster Wallace is a fraught task at best. D.T. Max has done an admirable job with Every Love Story is a Ghost Story…what emerges is a vivid portrait of an artist whose verbal brilliance was continually hampered, and ultimately silenced, by debilitating mental illness.” —Steve Almond, The Boston Globe “Max’s long-awaited biography of David Foster Wallace has been the end-of-summer book for readers of literary fiction. It has inspired countless reviews, conversations, and online outbursts…Max somehow manages to tell a compelling story that peels back the public image of Wallace without stripping it bare, creating a portrait of a troubled and gifted man who crafted some of our time’s best writing and giving readers a fuller sense of the relation of the work to the life.” —Samuel Cohen, The Believer “While Max appears to greatly admire Wallace as a writer and feel compassion for him as a man, he is never starry-eyed, or pulls his punches. Every Love Story is a Ghost Story is as illuminating, multifaceted, and serious an estimation of David Foster Wallace’s life and work as we can hope to find.” —Elissa Schappell, Vanityfair.com“Brilliant and compulsively readable…Max’s new biography deftly reassembles the life of David Foster Wallace…strips away the legend and gives us an all-too-human writer…a convincingly intimate and lucid narrative…Max is respectful throughout – and his account of the writer’s final days is devastatingly measured.” —Taylor Antrim, Vogue.com “Full of all kinds of strange surprises, painting the most complete, and warmest, portrait of Wallace yet.” —Rolling Stone
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About the Author
D. T. Max is also the author of The Family That Couldn’t Sleep: A Medical Mystery. A staff writer for the New Yorker, he lives outside New York City with his wife and two children.
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Product details
Paperback: 368 pages
Publisher: Penguin Books; 7/28/13 edition (August 27, 2013)
Language: English
ISBN-10: 9780147509727
ISBN-13: 978-0147509727
ASIN: 0147509726
Product Dimensions:
5.5 x 0.8 x 8.4 inches
Shipping Weight: 10.4 ounces (View shipping rates and policies)
Average Customer Review:
4.1 out of 5 stars
129 customer reviews
Amazon Best Sellers Rank:
#312,628 in Books (See Top 100 in Books)
From the moment I was introduced to DFW, I not only loved his work but felt that I knew him. Characters like the Hungarian waiter, in his cruise ship piece have stayed with me over the decades. I still quote from his work. DFW is the real deal a truly tortured genius and this biographer doesn't spare him. Although I knew he was an alcoholic/substance abuser, I didn't realize how hard he worked to remain sober and how much he admired, loved and needed his recovery groups. His struggles with anti-depressants and their side effects were heartbreaking to read about, as is of course his final determined suicide.Correspondence with Franzen and DiLillo reveal DFW's insecurity about not measuring up to their genius as social seers for the new era and he constantly feared being left behind. DT Max never comes off as preachy or having insight into the mind of DFW but instead seems humbled by the giant shadow DFW casts and I think that makes for a work to be trusted. The bibliography and footnotes themselves are reminiscent of DFW's own meticulous research.I love the images of Wallace with his rescued dogs, surrounded by stacks of paper, happiest when in the thick of writing on a difficult subject - "The Mathematics of Infinity" comes to mind. Now there's a subject to fixate on. I am almost afraid to read it, certain that I will become overawed by his ability to move from letters to numbers with ease. I am also happy that his work is actually gaining in popularity and stature as time goes by.D.T. Max captures the complexity of the man, the attention and kindness he showed to his students, the care he showed to his animals and financial generosity with friends and ex-lovers from the large endowments he received for his work. That these qualities reside alongside sex addiction, financial irresponsibility and professional jealousy makes for a realistic and interesting portrait.If there is a flaw in the work it is that I wanted to better understand his obsession with suicide at the end of his life. Withdrawal from antidepressants does not quite cover the determination with which he carried out his final mission. Oddly, I feel a weird comfort in knowing that it was not an accident.This work does what all good biographies should: make me want to read more of his work.
I fell in love with DFW through this book. I treasured reading it so much that I could hardly bear to finish it. What a brain DFW had, utterly fascinating and probably hard for our subject to inhabit day after day. The book also taught me about fiction writing and other authors.
This biography of the late David Foster Wallace is a compendium of his life, almost day by day. Knowing that he battled severe depression and thoughts of suicide makes it bittersweet to read. DFW was a worrier--claims that he borrowed from Pynchon (post-modern) and DeLillo (minimalist) were rarely off his mind. This because earlier in his career Pynchon had been a model, and later, changing his literary stance, he admired DeLillo.David Foster Wallace was so focused on becoming a novelist that he almost disregarded his immense talents with short stories, essays, articles and comedic expression. He was also talented in philosophy and took on the intent of joining the ideas of Wittgenstein with those of Derrida. This led to DGW wanting to develop a character "who is all disembodied speech in a written narrative." (D. T. Max in Notes)His mother suffered his resentment during his thirties for being overly protective of him as a child, and he competed with his father philosophically, but he always wanted approval from his family. He loved the company of women, many women, obsessing over several, marrying just several years before his death.When he decided to seek help for drug and alcohol addiction, discussions with group members and sponsors opened David to new ideas for writing. Unfortunately, he kept stressing over his dependence on antidepressants because he feared that the medication might be interfere with clear thinking. Going off his medications led to hospitalization and confinement in mental clinics. Here again, he met a wide assortment of troubled people, and ultimately his worries about stylistic choices and his penchant for procrastination became demons.These are some of the problems DFW faced that are brought out in the book. Fans will find some insight into the struggles he had trying to find his voice in writing.
I read this book in a single sitting, a rare event in my life with books. One of the joys of this book is Mr. Max's effort to mirror DFW's own habit of linking ideas with loads of interesting footnotes to help curious readers dissect the smooth skin of Max's text and delve deeper into the life and mind of DFW. I would buy this book for the footnotes alone.
Max provides the less scandalous but deeply disconcerting chronicle of Wallace's life and his many breakdowns. Given the enormity of his suffering, much of which stemmed from his rare abilities and interest in the problematic aspects of the self in a highly mediated, spectacle society, it is amazing he accomplished what he did and not at all surprising people, generally, find his behavior difficult, abrasive and off-putting. What, I believe, has much been misunderstood as affected aloofness and arrogance is actually just anxiety and awkwardness. Max contextualizes Wallace with a smattering of editorial content but mostly reveals the author through a simple chronological recitation of the facts that made up the life of David Foster Wallace. Any discourse about the man without an understanding of his basic life experiences is an exercise in vain; Max provides the necessary background effectively.
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